Gone

December 20, 2010
A carjacking goes from bad to horrifying in Hayder's gripping fifth thriller featuring Bristol Det. Insp. Jack Caffery and Sgt. Phoebe "Flea" Marley (after Skin). When Rose Bradley's car is stolen with her 11-year-old daughter, Martha, inside, it appears to be a routine snatch-and-grab. It becomes clear, however, that the carjacker had his sights set on the girl, not the vehicle, when he begins taunting the police, who scramble to find clues to Martha's whereabouts. Jack soon discovers a pattern of similar kidnappings disguised as car thefts, with the level of violence ratcheted up in each case. As Jack tracks the kidnapper above ground, Flea's search takes her below ground and underwater into a decommissioned canal and tunnel, where she fights to save her own life and that of the kidnapped child. Hayder expertly brings to life the claustrophobia of Flea's dives and the emotional burden of the case on Jack.

November 15, 2010

A carjacker in a clown's mask drives off with an 11-year-old girl in the back seat, drawing DI Jack Caffery of Bristol's major-crime unit into a multilayered plot that also brings back unsteady female police diver Flea Marley.

Hayder's fifth novel to feature Caffery (introduced in Birdman, 1999) tones down the gruesome violence (if not the creepy scenarios), delivering a brilliantly plotted mystery that keeps you guessing not only who the villain is, but what exactly he's after. With his poorly disguised antipathy toward children, Caffery is not the best choice to investigate the disappearance of little girls. But the former Londoner, who's still losing sleep over his brother's childhood disappearance, is comfortable on the missing-person trail. Helped by his unhinged but brilliant street friend, the Walking Man, he is led to a canal with a submerged barge and an odd network of air shafts. That's where Marley (introduced in Ritual, 2008) is on her own mission to make up for a traumatic past—not to mention a recent criminal act in taking responsibility for the death of a woman her drunken brother ran over. The complicated personal history of Caffery and Marley provides a compelling undercurrent, as does Marley's confessed love-hate affair with Caffery and his checkered past. She does something most mystery writers wouldn't with their star protagonist: She has him miss major clues and get outsmarted by the mother of a missing girl. But only, of course, to a point.

First-rate mystery that takes full advantage of the wintry, moonlit West Country and the unusual skills of its lady diver.

(COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

October 1, 2010

DI Jack Caffery and Sgt. Phoebe "Flea" Marley, a police diver, return in Hayder's latest thriller. This is the fifth appearance for Caffery, who debuted in Birdman, and the third for Marley. The events of the previous novel, Skin, have eroded their personal and professional relationship, and Marley and her team are under scrutiny. A new case brings them together, and the two struggle with their partnership and with the brutal criminal they face. What appears to be an accidental kidnapping during a carjacking turns more sinister when the child is not released, a pattern of similar attempted incidents emerges, and they receive a letter from the kidnapper outlining what he's done and what he's planning. VERDICT Readers who can tolerate some graphic descriptions of violence (or skim past them) will be rewarded with a complex, fast-paced, well-written mystery with interesting characters fighting personal and external demons. Recommended for those who enjoy Karin Slaughter and John Connolly.--Beth Blakesley, Washington State Univ. Libs., Pullman

Copyright 2010 Library Journal, LLC Used with permission.

Starred review from November 15, 2010
In the fifth riveting entry in the series featuring haunted homicide detective Jack Caffery, his latest case seems to be a routine carjacking. But as the investigation proceeds, it becomes clear that the Jacker was really after the 11-year-old girl in the backseat and, whats more, is taunting police with the threat that he will strike again. He is so far ahead of the unit at every step that the investigation is continually being stymied, and Jack suspects the Jacker is privy to inside information. As the Walking Man, a vagrant with whom Jack has a special connection, tells him, the kidnapper is cleverer than any of the others youve brought to me. Meanwhile, police diver Flea Marley is recklessly ignoring protocol in her search for the missing girl and finds herself trapped in an underwater cavern. Hayder keeps the tension high as she switches between the distraught parents and the stressed-out investigators. The meticulously crafted plot is heightened by Hayders skillful evocation of mood as she summons the specter of a highly intelligent criminal who is taking great satisfaction from every parents worst nightmare. A captivating thriller. HIGH-DEMAND BACKSTORY: Hayder has been threatening to vault from cult favorite to mainstream smash for a few books now, and this oneaided by a full-dress marketing campaignmay be the one to make the jump.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)

September 2, 2013
In Hayderâs thriller, an apparent carjacking quickly reveals itself to involve the kidnapping of a child and possibly murder. Initially, the plot concentrates on homicide detective Jack Cafferyâs puzzling inability to make headway in his search for the man nicknamed the Jacker. But, without weakening its solid construction, the novel soon begins alternating its focus from Caffery to the reckless head of the departmentâs underwater search unit, Sgt. Phoebe âFleaâ Marley, who in her zeal to locate the Jackerâs lair, winds up trapped, helpless, and wounded in an abandoned tunnel. Hayder pushes both characters to their limits, and narrator Steven Crossley seems to relish the opportunity to add his own special twist to their emotions. His Caffery speaks with a precise British accent, displaying a range of moods, from depressed and distracted indifference, to frustration, confusion, and desperation. Marley, with her slangy cockney, gives Crossley even more of a workout. He provides her with a vocal swagger as she sets out to regain professional prestige by singlehandedly finding the kidnapped child. The narrator also gives life to the novelâs other highly emotional participantsâthe weary and resentful cops, the frantic parents, and the wily, demented Jacker. A Grove paperback.