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Poppet

ebook
1 of 1 copy available
1 of 1 copy available
In this chilling, seamlessly-plotted thriller, British detective Jack Caffery must find a dangerous mental patient on the loose—before he can kill again . . .
 
The Beechway High Secure Unit in Bristol, England, has a storied past—first as a nineteenth-century workhouse, then a poorhouse for the homeless, and now as a psychiatric hospital. With that troubled history come superstitions like the Maude, believed to be the ghost of a sadistic workhouse matron.
 
But while some of the patients and staff think the Maude is behind a series of unexplained episodes of self-harm amongst the ward’s patients, nursing coordinator AJ LeGrande thinks they might be the work of an all too human horror—a homicidal patient who was released back into the public in error.
 
Calling on Det. Jack Caffery, LeGrande hopes his investigation will reveal what’s truly been going on inside and outside the hospital’s walls. But what Caffery discovers about former patient Isaac Handel is beyond anyone’s imagining.
 
“Enough evil to keep readers awake long after the cases are solved . . . Rich psychological portraits [and] a compelling mystery.” —Los Angeles Times
 
“Dipping into Poppet when the house was silent and the rain was spattering against the windows probably wasn’t a good idea: The book oozes sinisterness from the first page . . . [Its] high-wire tension . . . never wavers.” —Entertainment Weekly
 
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    • Publisher's Weekly

      Starred review from March 25, 2013
      In Edgar-winner Hayder’s enthralling sixth thriller featuring Det. Insp. Jack Caffery of the Bristol Major Crime Investigation Team (after 2010’s Gone), Caffery stubbornly clings to a missing person case as he gets drawn into fatal abuses at Beechway High Secure Unit, a psychiatric hospital. Jacqui Kitson is pressing the police to find her grown daughter, Misty, a model who disappeared a year-and-a-half earlier. Caffery knows what happened to Misty, but he’s protecting someone, an unusual stance that plays out in tantalizing fashion. Strange events are unfolding at Beechway, where belief in a monster called “The Maude” is growing among increasingly hysterical patients and staff members. A patient who goes missing is eventually discovered buried nearby. Another dies after self-harming, while a third gouges out his eye. When a severely disturbed patient is released, the terror spreads from hospital to village. Hayder’s sharply drawn characters, major and minor, and her psychological acumen combine for a frightening and convincing read. Agent: Jane Gregory, Gregory & Co. (U.K.).

    • Library Journal

      May 15, 2013

      An unsolved crime has become a thorn in the side of Det. Jack Caffery as the anniversary of the disappearance of a model named Misty gets plenty of newspaper coverage and her loudmouthed drunken mother blames Jack, who had been assigned the case, for failing to find Misty's body. So when a phone call comes in from a staff nurse at the Beechwood psychiatric unit, reporting strange happenings, patients inflicting harm on themselves, a bag full of menacing dolls, and sightings of the spectral Maude, Jack is on the case. It seems that these happenings coincide with the accidental release of an inmate with a horrific homicidal past. VERDICT Hayder's latest installment in the Jack Caffery series (after Hanging Hill and the Edgar award-winning Gone) is a creepy, twisty thrill ride that doesn't stop and will give you the shivers if you dare to read it at night. This is another winner.--Marianne Fitzgerald, Severna Park H.S., MD

      Copyright 2013 Library Journal, LLC Used with permission.

    • Publisher's Weekly

      July 29, 2013
      Hayder’s new thriller, book six in her series featuring Det. Insp. Jack Caffery, finds the London homicide cop haunted by the events of a previous case. Perhaps because of this, the novel focuses on a second protagonist, AJ LeGrande the newly minted head nursing coordinator at a high-security psychiatric hospital in Bristol, who is beginning to suspect that the facility’s patients have been tormented and brutalized by a former patient. Both Caffery and LeGrande are rich, conflicted characters, and as the plot shifts from one to the other, the narration provided by Steven Crossley, though remaining coolly objective, changes in suitably subtle ways. His description of AJ’s workspace has a moody, ominous quality, darkened by the presence of a rumored ghost, and patients such as a chillingly addled inmate called Monster Mother. Le Grande’s home life is described with a brighter tone; he lives in a cottage with a beloved dog and a half-Jamaican aunt who cares for him. On the other hand, Crossley uses consistent, darkly terse narration for Caffery’s sections of the book, lightened only slightly by the interplay with his assistant, Flea Marley. Eventually, LeGrande convinces Caffery to become fully engaged in the grim criminal doings at the hospital. And at that point, the narration quickens and becomes increasingly purposeful as the book races to its satisfying conclusion. An Atlantic Monthly hardcover.

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